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 │ ABOUT │░
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Justin Cole is an artist and educator based in Los Angeles, USA and Valencia, Spain.  His work was recently presented in a solo exhibition at council_st. in Los Angeles, CA.  Cole was also recently in residency at Spitsbergen Artists Residency in Norway and Samband Islenskra Myndlistarmanna (SIM) in Reykjavik, Iceland.  His works are held in the collections of Lance Acord’s Park Pictures, KOAR Institutional Advisors, The Capital Group, Mungo Thompson, and Charles Gaines.  Cole is a senior lecturer of art and art history at Antioch University Los Angeles.  He recently was a senior lecturer in photography at Otis College of Art and Design.  Cole also was a founding member of the artist group, OJO.  OJO (2005-2013) created projects for MOCA (LA), LAXART, LACE as part of the Getty’s Pacific Standard Time, the Studio Museum Harlem and Consonni in Bilbao, Spain amongst others.  Cole’s work has been reviewed in publications such as the LA Times, Flaunt, NY Observer, LA Record, and dublab.
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 │ EDUCATION │░
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MFA
2005  Photography   UCLA
BFA
2003  General Fine Arts   Maryland Institute College of Art 
Magna Cum Laude
2002
Centre Pour l’Art et le Culture, Aix-en-Provence, France
Maryland Institute College of Art Honors Program
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 │ RESIDENCIES │░
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2024 Spitsbergen Artists Residency, Longyearbyen, Svalbard, Norway

2022 Samband Islenskra Myndlistarmanna, Reykjavik, Iceland

2010 Los Angeles Goes Live, LACE, Hollywood, CA

2009 Engagement Party, The Museum of Contemporary Art, Los Angeles
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 │ GRANTS & AWARDS │░
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2024 Faculty Development Grant, Otis College of Art and Design

2022 Faculty Development Grant, Otis College of Art and Design

2020 Faculty Development Grant, Otis College of Art and Design

2019 Research Grant, Otis College of Art and Design

2017 Faculty Development Grant, Otis College of Art and Design

2005 Hoyt Scholarship, UCLA

2004 Graduate Fellowship, UCLA

2003 Graduate Fellowship, UCLA
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 │ SOLO EXHIBITIONS │░
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2023 Tuning, council_st., Los Angeles, CA

2018 The Sound of America, CSULA, Luckman Gallery, Los Angeles, CA
The Sound of America, Leroy’s, Chinatown, Los Angeles, CA

2012 Suite Sixteen and Tocqueville Photograms, Pepin Moore Gallery, Chinatown, Los Angeles, CA

2010 Historical Impulse, Pepin Moore Gallery, Chinatown, Los Angeles, CA
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 │ TWO-PERSON EXHIBITIONS │░
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2024 Looking at the Stars, with Mikael Hultgren, Spitsbergen Kunstnersenter, Longyearbyen, Svalbard, Norway

2017 Constituent Parts, with York Chang, Samuel Freeman Gallery, Los Angeles, CA 

2016 Performance with Todd Gray, Document, Los Angeles, CA

2011 Frame Rate, with Harry Dodge, Los Angeles Nomadic Division, Los Angeles, CA
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 │ GROUP EXHIBITIONS │░
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2022 Jaela, SIM, Korpulfsstadir, Reykjavik, Iceland

2021 Nomad, Torrance Museum of Art, Torrance, CA 

2015 RSVP Los Angeles, Pomona College Museum of Art, Pomona, CA (Catalog)
Incognito
, Santa Monica Museum of Art, Santa Monica, CA

2014 Another Cats Show, 356 S. Mission, Los Angeles, CA
Material Object, Charlie James Gallery, Chinatown, Los Angeles, CA

2013 Monument to Rebellion, Bergen Assembly, Bergen, Norway (In collaboration with Alejandra + Aeron) (Catalog—Monday Begins on Saturday)
Suddenness + Certainty, Robert Miller Gallery, New York, NY
Burrito Deluxe, Shangri-La, Joshua Tree, CA
Inaugural Exhibition, Pepin Moore, Los Angeles, CA

2012 Sunday at 4, California State University Bakersfield, Bakersfield, CA
Going Public—Telling It As It Is?, ENPAP/Consonni, Bilbao, Spain
Affective Turns?, organized by Phil Chang, Pepin Moore, Los Angeles, CA
Los Angeles Goes Live, Pacific Standard Time, LACE, Hollywood, CA

2011 Pepin Moore at LA Print: Edition 2, LACMA, Los Angeles, CA
StudioSound, The Studio Museum Harlem
Object-Orientation: Bodies and/as Things, Cerritos College Art Gallery (Catalog)
Pepin Moore at Art Los Angeles Contemporary
, The Barker Hanger, Santa Monica

2010 Vinyl Mandala, Actual Size, Los Angeles, CA (Curator)
Second Story, Pepin Moore Gallery, Chinatown, Los Angeles, CA
Los Angeles Art & Music Festival, LACMA, Los Angeles, CA
Covers, Five Thirty Three, Los Angeles, CA

2009 Letter, 2219 Gallery, Baltimore, MD
The Chef’s Theory, curated by Maha Saab, Five Thirty Three, Los Angeles, CA
MOCA Contemporaries’ Night of Urban Retreat, Presented by AIGA, Solair Residence, Los Angeles, CA
Engagement Party, Museum of Contemporary Art, Los Angeles, CA
Welcome to the Neighborhood, Tight Space, Santa Ana, CA

2008 General Electric, curated by Lia Trinka-Browner, The Project, Los Angeles, CA
We, curated by Jen Liu, Lizabeth Oliveria Gallery, Los Angeles, CA
Fall In, Fall Out, Fall Down, Get Ready!, Five Thirty Three, Los Angeles, CA
Whatcha See is Whatcha Get…, Five Thirty Three, Los Angeles, CA (Curator)
600, 2219 Gallery, Baltimore, MD

2007 En La Cumbre, A+D Museum, Los Angeles, CA
Cali in CPH, Co-Lab, Copenhagen, Denmark
Collisions, The Armand Hammer Museum, Los Angeles, CA (with OJO)
Passin’ Thru The New Amazing, LA><Art, Culver City, CA
You Are My, Bank Gallery, Los Angeles, CA

2006 Fair Trade, Outpost for Contemporary Art, Los Angeles, CA
Good Times for Never, Queens Nails Annex, San Francisco, CA
Where, Sundown Salon, Los Angeles, CA (as Los Cremators)
We All, Us Three, ESL Projects, Los Angeles, CA
Lots, Current Space, Baltimore, MD

2005 Drive Bye and ReLAX, Upspace Gallery, Los Angeles, CA
Drawing Rules, Glu Gallery, Los Angeles, CA
Character Traits, I-5 Gallery, Los Angeles, CA
Summer @ Bank, Bank Gallery, Los Angeles, CA
Supersonic, LA Design Center, Los Angeles, CA
MFA Thesis Exhibition, New Wight Gallery, UCLA

2004 Magic Show, Curated by Brian Bress, Hayworth Gallery, Los Angeles, CA

2003 Defiance, Presented by the Prop, Udi Aloni Space, New York, NY
Emerging Artists, Maryland Federation of Art, Baltimore, MD
BFA Thesis Exhibition, MICA, Baltimore, MD
Night of 1,000 Drawings, Artist’s Space, New York, NY

2002 Juried Undergraduate Exhibition, MICA, Baltimore, MD (Best in Show)
Exposition
, Centre Pour l’Art et le Culture, Aix-en-Provence, France

2001 Juried Undergraduate Exhibition, MICA, Baltimore, MDVideo and DVD Call, Artist’s Space, New York, NY
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 │ LECTURES │░
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2023 Artist Talk, Islands Photography Course taught by David Kelley, USC, CA

2022 Artist Talk, SIM, Korpulfsstadir, Reykjavik, Iceland

2019 Visiting Artist Lecture Series, Otis College of Art and Design, Los Angeles, CA

2017 Constituent Parts Gallery Talk with Sven Spieker, Samuel Freeman Gallery, Los Angeles, CA

2015 Artist Talk, Black and White Photography, Pomona College, Claremont, CA
Conversation with Charles Gaines and Nikki Pressley, Pomona College, Claremont, CA

2014 Material Object Gallery Talk with York Chang, Gina Osterloh, and Phil Chang and moderated by Jonathan Griffin, Charlie James Gallery, Los Angeles, CA

2013 OJO Artist Talk, James Welling Senior Studio, UCLA, Los Angeles, CA
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 │ CURATORIAL PROJECTS │░
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2018 Covers, The Bloke, Pasadena, CA

2014 Material Object, Charlie James Gallery, Chinatown, Los Angeles, CA

2012 Happening, LACE Annual Benefit Auction, LACE, Hollywood, CA

2010 Vinyl Mandala, Actual Size, Los Angeles, CA

2008 Whatcha See is Whatcha Get…, Five Thirty Three, Los Angeles, CA (Curator)
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 │ ACADEMIC POSITIONS │░
 │ & APPOINTMENTS     │░
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2005-Present
Adjunct Professor, Art & Art History, West Los Angeles College, Culver City, CA

2009-Present
Adjunct Professor, Art & Art History, Antioch University Los Angeles, Culver City, CA

2011-Present
Adjunct Professor, Drawing & Art History, Los Angeles Mission College

2012-2025
Senior Lecturer, Photography, Otis College of Art and Design

2018-2025
Adjunct Professor, Photography, California State University, Fullerton

2011-2012
Adjunct Professor, Photography, Art Institute of California, Hollywood

2010, 2012 & 2014-15
Adjunct Professor, Art History, Pierce College, Woodland Hills, CA
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 │ PUBLICATIONS │░
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Cole, J. (2021).  An Ambient Giant Steps.  Stimulus Progression Records #25.

Cole, J.  (2019).  Diversity, Democracy and Critique.  Otis College of Art and Design.
https://otis.libguides.com/faculty_development/RESEARCH_GRANTS
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 │ BIBLIOGRAPHY │░
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Gubala, Christina.  Big Brown Eyes, Little Tiny Face. JDUSTIN Records. 2023.

Tumlir, Jan. Giant Steps. Stimulus Progression Records #25. 2020.

Mizota, Sharon. An artists' look at citizenship and democracy in a world turned upside down. Los Angeles Times.  3 April 2017.

McGrew, Rebecca & Geis, Terri.  RSVP Los Angeles.  Claremont: Pomona College Museum of Art.  2015.  Pages 59-79.  ISBN: 9 780985 625177

Monday Begins on Saturday.  Berlin: Sternberg Press.  2013.  Pg. 281.

Stang, Aandrea.  Engagement Party: Social Practice at MOCA, 2008-2012.  Los Angeles: MOCA.  2013. Pgs. 61-78.

“Noise.” Flaunt Vol. 123. October 2012: Pg. 98.

Breslin, Yale.  This Flaunt Editor Shares His Favorite Gallery in Chinatown.  Racked Los Angeles.  27 July 2012.  https://la.racked.com/2012/7/27/7716379/this-flaunt-magazine-editor-fr

Gubala, Christina. WaxPhil L.A. #13: Jacknife Records and Tapes, Diga Rhythm Band’s Diga. Dumdum Magazine. 8 May 2012. http://www.dumdumzine.net/waxphil-l-a-13-jacknife-records-and-tapes-diga-rhythm-bands-diga-christina-gubala/

Chang, Phil.  Very Short List.  New York Observer.  13 March 2012.“Diesel Presents Thirteen Years of Fortune and Fame.” Flaunt Vol. 119. Spring 2012: 30-31, 48-49.

MacDevitt, James.  Object Orientation.  Cerritos College.  2011.

Bennett, Sarah. “OJO—Ocean View Estate”.  L.A. Record.  Vol. 5 No. 3.  Winter 2011.  Pg. 74.

Villegas, Arely. The Record as a Form of Art: Vinyl Mandala at Actual Size Gallery. LAist.com. December 2010. http://laist.com/2010/12/27/the_record_as_a_form_of_art_vinyl_m.php

Tuck, Geoff. Notes on Looking.  ForYourArt.com.  November 2010. http://losangeles.foryourart.com/?s=know&item=403

McNeill, Mark “Frosty”. “OJO—La Bolsa Blanca.” dublab.com. August 2010.

Provo, Ben.  “OJO.”  ANP Quarterly.  Vol. 2 No. 4.  2010.

Greene, Robert.  Hairy.  powerHouse Books.  2009.

“Flesh Car Crash.”  Brand X.  1 July 2009: Pg. 4

Wagley, Catherine. We.  Artslant.com.  July 2008.

Bloom, Rebecca,  “Delectable Collectibles”, L.A. Confidential, Fall 2007.

Less Art #3.  Compiled by Doug Harvey.  Redacted Records.  2006.

“Eye on L.A.” ABC, Channel 7, Los Angeles.  Aired: Sept. 17, 2005.